Publications & Papers

Publications

See my academia.edu profile for the latest information on my publications. 

Books/dissertation:

Music – Psychoanalysis – Musicology. Edited by Samuel Wilson. Abingdon and New York: Routledge, 2018.

An Aesthetics of Past-Present Relations in the Experience of Contemporary Art Music’. PhD dissertation. Royal Holloway, University of London, 2013.

Book chapters

‘Sound, Process, Fetish: John Cage, Steve Reich, Robert Morris’, in The Sound of Žižek. Edited by Mauro Fosco Bertola. Frankfurt a.M.: Peter Lang, forthcoming.

‘Musical Time in a Fast World’, in The Oxford Handbook of Time in Music. Edited by Mark Doffman, Emily Payne, and Toby Young. Oxford: OUP, forthcoming.

‘Introduction’ in Music – Psychoanalysis – Musicology. Edited by Samuel Wilson. Abingdon and New York: Routledge, 2018.

‘Does the Psychoanalysis of Music Have a “Subject”?’ in Music – Psychoanalysis – Musicology. Edited by Samuel Wilson. Abingdon and New York: Routledge, 2018.

‘Valentin Silvestrov and the Symphonic Monument in Ruins’ in Transformations of Musical Modernism (eds. Julian Johnson & Erling E. Guldbrandsen), Cambridge: Cambridge University Press, 2015, pp. 201-220.

Journal articles/reviews

‘[Book review] Tim Rutherford-Johnson, Music After the Fall: Modern Composition and Culture Since 1989.’ Twentieth-Century Music 15/1 (2018), pp. 131-136.

‘Notes on Adorno’s “Musical Material” During the New Materialisms’, Music & Letters, Vol. 99/2 (2018): 260–275.

The Composition of Posthuman Bodies’, International Journal of Performance Arts and Digital Media, special issue on ‘Bodily Extensions and Performance (Avatars, Prosthetics, Cyborgs, Posthumans)’, Vol. 13/2 (2017): pp. 137-152.

After Beethoven, After Hegel: Legacies of Selfhood in Schnittke’s String Quartet No. 4’, International Review of the Aesthetics and Sociology of Music, 45/2 (2014), pp. 311-334.

 ‘Building an Instrument, Building an Instrumentalist: Helmut Lachenmann’s Serynade’, Contemporary Music Review, Vol. 32/5 (2013), pp. 425-436.

SMA TAGS Day for Postgraduates’, Society for Music Analysis Newsletter (July, 2009).

 


Conference and seminar papers

‘Musical Encounters with the Object in Twentieth-Century Compositional Thought’, on panel ‘Music and Materialisms: Between Affect, Attitudes, and Affordances’, 54th Royal Musical Association Annual Conference, University of Bristol (Sept. 2018, accepted).

‘Reappraising Musical Materialism and the “Stuff” of Composition’ [invited talk], Guildhall ResearchWorks Series, Guildhall School of Music and Drama, June 2018.

‘Vibrant Matter and Musical Materials’ [invited talk], Sonic Materialities Research Series, Bath Spa University, Jan. 2018.

‘The Composition of Posthuman Bodies’, Tenth Biennial International Conference on Music Since 1900, University of Surrey (Sept. 2017).

Adorno’s Concept of Musical Material During and After the New Materialisms’, 6th Conference of the Royal Musical Association Music and Philosophy Study Group, King’s College London (July 2017 – accepted).

‘Musical Time in a Fast World’, Making Time in Music: an International Conference, University of Oxford (Sept. 2016)

‘New Music, New Materialisms: Musical Material and Materiality after Adorno and during the New Materialisms’ [poster presentation], 52nd Royal Musical Association Annual Conference, Guildhall School of Music and Drama (Sept. 2016).

‘Does the Psychoanalysis of Music Have a “Subject”?’ at Annual Conference of the Royal Musical Association’s Music and Philosophy Study Group, King’s College, University of London (July 2015).

‘Immateriality in the Arts and Practice: Introduction and Framing Statements for Conference Panels’ [stream convenor’s framing statements for three interrelated conference panels] at London Conference in Critical Thought 2015 (Stream: ‘Immateriality in the Arts and Practice’), University College London, University of London (June 2015).

‘New York, 1983: Or, Sounding the Temporal Logic of Late Capitalism’ at London Conference in Critical Thought 2014 (Stream: ‘Time Discipline’), Goldsmiths College, University of London (June 2014).

‘Silvestrov and the Symphonic Monument in Ruins’ at RMA Study Day: Memory in Post-1980s Music: History, Form, Perception, University of York (Feb. 2014).

‘Musical Analysis, Dream Analysis: Silvestrov’s String Quartet No. 1’ at RMA Music and Psychoanalysis Study Day, The University of Liverpool (Nov. 2013).

[Above paper also presented (in an extended form) at Transformations of Musical Modernism International Seminar, Centre Franco-Norvégian en Sciences Sociales et Humaines (Paris, Oct. 2011).]

‘The Object(s) of Musical Experience: Potentials for Cross Disciplinary Dialogues’ London Conference in Critical Thought, Birkbeck Institute of the Humanities, University of London (June 2012).

‘Building an Instrument, Building an Instrumentalist: Helmut Lachenmann’s Serynade for Solo Piano’, Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, University of Oxford (Jan. 2012).

‘Confronting Self-Understanding in Alfred Schnittke’s String Quartet No. 4 (Second Movement)’, Postgraduate Day, Royal Holloway, University of London (Nov. 2011).

‘Semiotics of Past and Present in Silvestrov’s String Quartet No. 1: Musical Analysis, Dream Analysis’, Transformations of Musical Modernism International Seminar, Centre Franco-Norvégian en Sciences Sociales et Humaines (Paris) (Oct. 2011).

‘“Bodies of Knowledge”: the Historicity of Expression in Contemporary Music’, Royal Musical Association Student Conference, University of Manchester (Jan. 2011).

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s